Ahmad Jamal Outertimeinnerspace 1972: A Spiritual Jazz Masterpiece
Ahmad Jamal is one of the most influential jazz pianists of all time, known for his elegant and innovative style, his use of space and silence, and his incorporation of diverse musical elements. In 1972, he released Outertimeinnerspace, a live album recorded at the Montreux Jazz Festival in 1971, featuring his trio with bassist Jamil Sulieman and drummer Frank Gant. The album showcases Jamal's mastery of both acoustic and electric piano, as well as his exploration of otherworldly dimensions of sound and spirituality.
The album consists of two long tracks: \"Bogota\" and \"Extensions\". The former is a composition by Richard Evans, a bassist and arranger who worked with Jamal on several albums. It is a dynamic and rhythmic piece that starts with a spoken introduction by Jamal, followed by a solo electric piano section that builds up to a crescendo. Then, the trio joins in with a Latin-flavored groove that features Jamal's melodic improvisations on both keyboards. The track ends with a return to the electric piano solo and a fade-out.
The latter track is an original composition by Jamal that showcases his creative and spiritual vision. It begins with a serene and meditative acoustic piano solo that sets the mood for the rest of the piece. Then, the trio enters with a slow and hypnotic groove that supports Jamal's explorations of harmonic and melodic possibilities on both instruments. The track gradually increases in intensity and complexity, reaching a climax with a series of polyrhythmic exchanges between Jamal and Gant. The track concludes with a peaceful and reflective acoustic piano coda.
Outertimeinnerspace is a challenging but deeply rewarding album that captures Jamal at his most profoundly spiritual, exploring otherworldly dimensions of space and sound. It is a testament to his artistic vision and musical genius, as well as his influence on generations of jazz musicians and listeners.
Outertimeinnerspace is not a typical jazz album, nor is it a conventional fusion album. It is a unique and original expression of Jamal's musical vision, which transcends genres and boundaries. Jamal does not follow any preconceived structure or form, but rather lets the music flow freely and spontaneously, creating new shapes and colors with every note. He also does not rely on any standard jazz repertoire or clichÃs, but instead draws from his own compositions and influences, ranging from classical to Latin to African music.
The album received positive reviews from critics and fans alike, who praised Jamal's creativity and originality, as well as his trio's cohesion and interaction. The album also demonstrated Jamal's influence on other jazz musicians, especially Miles Davis, who was a longtime admirer of Jamal's style and approach. Davis incorporated some of Jamal's ideas and techniques into his own fusion experiments, such as Bitches Brew and On the Corner. Jamal himself acknowledged Davis' influence on him, saying \\\"Miles has been my mentor. He taught me a lot of things that I didn't know\\\".
Outertimeinnerspace is a masterpiece of spiritual jazz that showcases Jamal's genius and innovation. It is an album that challenges and rewards the listener with its depth and beauty. It is an album that deserves to be heard and appreciated by anyone who loves music. a474f39169